Carmichael Jones
Carmichael Jones is an artist whose work is often playful and slightly irreverent, blending the everyday and the never-seen-before, the
Blog
It’s National Volunteer Week.
It’s National Volunteer Week. We know that we couldn’t do what we do without the hard work and dedication of
Anna Riley
Anna Riley received her BFA in Glass from the Rhode Island School of Design. Her work, be it conceptual, technical
Helena Parriott
Helena Parriott is a painter and sculptor working with diverse mediums including glass, paint, and machinery. Through various projects, she
Call and Response
Gaffer Frit 2012 7 ½”x 2 ½x 1 ½” The first in a series based on previous paper-cut work. This piece deals with relationships of symbols and symmetry.
Pom-Pom Tower
Pom-poms, glass 2015 3’x 1’x1’ Part of a collaborative installation with Pam Sabroso at the Pelham Arts Center in New York consisting of several pom-pom covered pedestals, floor lamps, and hanging sculptures.
Centerpiece Triptych 2
Mold blown and freehand blown glass 2016 Dimensions vary Another example of a combination created for the Urban Glass Gala.
Alison Siegel
Norwood Viviano
Norwood Viviano’s work from his installation Cities: Departure & Deviation was shown at the 2014 Architecture Biennale in Venice. He
“Like Remembering a Dream the Day After” (Part III)
Glass, neon, lemons and mixed media. Blown, mirrored, gold-leafed and carved glass and “carbonized” lemons. 10’ X 12’ X 6’, 2016.
“Like Remembering a Dream the Day After” (Part II)
Eggshells, rubber, glass, neon and mixed media. Blown and found glass with pinned eggshells. 10’ X 12’ X 6’, 2012-2015.
Lemon Pile Light
Erica Rosenfield
“Sólo hay dos flores: la amapola y la rosa”/ Close up
“The Same Way a Light Sound”
Titled after the poem “The Same Way a Light Sound” or “Como leve sonido” by Luis Cernuda—exiled and Queer poet from the Generation of ’27: Spain’s Tragic Literary Generation The sculptural body of work presented comprises nine different pieces of annealed float glass. The standing forms are fragmented cylinders that have been severed, beaten or drilled, then glued or sewn back and re-envisioned through the insertion of hair. In exploring iterations of empathy and materiality they speak of new orders and systems. Slumped glass, adhesive, graphite, hair, high-density conglomerate wood Slumping, coldworking, sewing (lacing), glueing, wood carpentry, painting Installation of variable dimensions; platform measures 5 x 8 ft./ Glass forms are 31 in. tall Year 2016
“Sólo hay dos flores: la amapola y la rosa”
Titled after the poem “Flores” from the book Orfebre by Leopoldo María Panero—Spaniard contemporary poet Goat kidskin translucent parchment, silk thread, acrylic glass box Hand wet stitching, box building Dimensions of installation are 15 x 15 x 15 in. Year 2015
Pablo Vindel
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You’re inspired, we’re inspired – WheatonArts inspires We’re already two weeks into 2016. As we prepare for the upcoming year,
Michael Oatman’s “The Second Oldest Profession” at WheatonArts
Collaborative Artists Carolyn Healy + John Phillips
Luke Jerram
Luke Jerram is a busy guy. As he gears up for GlassWeekend ’15, he’s juggling 16 other projects. Among them:
Copyright © 2024 Wheaton Arts and Cultural Center. All Rights Reserved. Funding has been made possible in part by the New Jersey State Council on the Arts, a partner agency of the National Endowment for the Arts, and the National Endowment for the Arts. WheatonArts receives general operating support from the New Jersey Historical Commission, Division of Cultural Affairs in the New Jersey Department of State, and is supported in part by the New Jersey Department of State, Division of Travel and Tourism. Wheaton Arts and Cultural Center strives to ensure the accessibility of its exhibitions, events and programs to all persons with disabilities. Please provide two weeks notice for special accommodations. Patrons with hearing and speech disabilities may contact WheatonArts through the New Jersey Relay Service (TRS) 800-852-7899 or by dialing 711.